easy website maker

(७२)

आओ वीरो मर्द बनो अब,
जेल तुम्हें तजना होगा।
मन-निग्रह के समर क्षेत्र में,
सन्मुख थिर डटना होगा॥१॥
गुरु-पद धर कर ध्यान से शूरो,
दृष्टि अड़ा दो सुषमन में।
मन की चंचलताई से,
बल कर-करके बचना होगा॥२॥
वक्त नहीं है ऐ वीरो अब,
गाफिल होकर सोने का।
बिन्दु राह से निकल बहादुर,
तम मण्डल टपना होगा॥३॥
दामिनि दमकै चन्दा चमकै,
सूर्य तपै जोती मण्डल।
इस मण्डल से आगे वीरो,
और तुम्हें बढ़ना होगा॥४॥
शब्द मण्डल में सार शब्द ध्वनि,
गुरु गम होकर धर लेना।
जगत-जेल को इसी युक्ति से,
सुन 'मेँहीँ' तजना होगा॥ ५॥

(৭২)
আও বীরো মর্দ বনোঅব,
জেল তুম্হেং তজনা হোগা |
মন-নিগ্রহ কে সমর ক্ষেত্র মেং,
সন্মুখ থির ডটনা হোগা ||১||
গুরু-পদ ধর কর ধ্যান সে শূরো,
দৃষ্টি অড়া দো সুষমন মেং |
মন কী চংচলতাঈ সে,
বল কর-করকে বচনা হোগা ||২||
বক্ত নহীং হৈ ঐ বীরো অব,
গাফিল হোকর সোনে কা |
বিন্দু রাহ সে নিকল বহাদুর,
তম মণ্ডল টপনা হোগা ||৩||
দামিনি দমকৈ চন্দা চমকৈ,
সূর্য তপৈ জোতী মণ্ডল |
ইস মণ্ডল সে আগে বীরো,
ঔর তুম্হেং বঢ়না হোগা ||৪||
শব্দ মণ্ডল মেং সার শব্দ ধ্বনি,
গুরু গম হোকর ধর লেনা |
জগত-জেল কো ইসী যুক্তি সে,
সুন 'মেঁহীঁ' তজনা হোগা || ৫ ||

Gujarati

Punjabi

Tamil

Telugu

(൭൨)

ആഓ വീരോ മര്ദ ബനോഅബ,
ജേല തുമ്ഹേം തജനാ ഹോഗാ .
മന-നിഗ്രഹ കേ സമര ക്ഷേത്ര മേം,
സന്മുഖ ഥിര ഡടനാ ഹോഗാ ॥൧॥
ഗുരു-പദ ധര കര ധ്യാന സേ ശൂരോ,
ദൃഷ്ടി അഡാ ദോ സുഷമന മേം .
മന കീ ചംചലതാഈ സേ,
ബല കര-കരകേ ബചനാ ഹോഗാ ॥൨॥
വക്ത നഹീം ഹൈ ഐ വീരോ അബ,
ഗാഫില ഹോകര സോനേ കാ .
ബിന്ദു രാഹ സേ നികല ബഹാദുര,
തമ മണ്ഡല ടപനാ ഹോഗാ ॥൩॥
ദാമിനി ദമകൈ ചന്ദാ ചമകൈ,
സൂര്യ തപൈ ജോതീ മണ്ഡല .
ഇസ മണ്ഡല സേ ആഗേ വീരോ,
ഔര തുമ്ഹേം ബഢനാ ഹോഗാ ॥൪॥
ശബ്ദ മണ്ഡല മേം സാര ശബ്ദ ധ്വനി,
ഗുരു ഗമ ഹോകര ധര ലേനാ .
ജഗത-ജേല കോ ഇസീ യുക്തി സേ,
സുന 'മേംഹീം' തജനാ ഹോഗാ ॥ ൫ ॥

Kannada

72. AAO VIRO MARDA BANO 

Come on, O Brave-hearts, be manly now, you will have to break free of the prison96.In the battle-ground of mind – control, in the forefront97 you’ll have to take firm position. ||1||
Meditating attentively at the Guru’s feet, in the Sushumnâ you freeze your sight. Fidgetiness of the monkey-mind, forcefully you’ll have to fight98. ||2||
This is not the time, O Valiant brothers, to so carelessly sleep. Escaping through the Point-route99, you’ll have to cross the sphere dark deep. ||3||
Lightning flashes, glistens the Moon, in the Light Sphere shines Bright Sun84. Move further still, O Gallant bro’s, you’ll have to leave behind even this domain. ||4||
Quintessential Sound resounds in the Sound Realm100, to grasp that Sound, from Guru learn the way. This very way, from the prison that is this world, Listen, O Mehî, you will have to walk away. ||5|| 

Mobirise gives you the freedom to develop as many websites as you like given the fact that it is a desktop app.

Publish your website to a local drive, FTP or host on Amazon S3, Google Cloud, Github Pages. Don't be a hostage to just one platform or service provider.

Just drop the blocks into the page, edit content inline and publish - no technical skills required.

  • 84. As the meditator gazes fixedly, in the inner sky, in front of the centre of the eyes following the technique as taught by an adept Guru, he pierces the gross creation by entering through what is variously termed “Âjnâ Chakra”, ‘Sushumnâ’, the Third Eye/Til, The Single Eye, The Tenth Door/Gate etc. From here begins the state or Zone of Turiya which starting from the Âjnâ Chakra extends up to the Realm of Quintessential Unstruck Melody or Pure Consciousness; the transcendental Supreme Being in His pure form lies beyond the Plane of Pure Consciousness. The realms/zones encountered by a practitioner of inner meditation beginning from the Âjnâ Chakra could be listed as i) Sahasrâr/ Sahastra-Dal-Kamal (Thousand-petalled Lotus) where Moon is sighted within, ii) Trikutî where the meditator visualises spotless Sun, iii) shûnya (Void), iv) Mahâshûnya (Greater Void), v) Bhanvar Gufâ (Spiralling or Whirling Cave) or Mahâkâran (Supra-causal or Equilibrial Primordial Nature), and vi) Satlok/ Sachkhand (True World) or Hiranyagarbha (Golden Womb) or Kaivalya/ Chetan Mandal (Zone of Pure Consciousness or Samashti Prâna (Universal Life Force). The Supreme Being is clearly visualised as the meditating Soul rises into the Sphere of Pure Consciousness though a very thin veil separating the Soul from the Supreme Soul still remains. Unity or identity or merger with the Supreme Being is attained only after even the last Realm that is, the Realm of Pure Consciousness is transcended. Thus is bhakti (meditation or worship) completed or perfected resulting into complete liberation or salvation.
  • 96. Traditionally a jail or a prison in India has a large campus or premise having a number of cells in each of which is kept imprisoned a prisoner. Sants have likened this world to a jail wherein each body of a creature is a cell in which an individual soul is incarcerated. To break free of this jail is the liberation of the Soul. Sadguru Maharshi Mehî Paramhans would say, the Supreme Being has wonderfully designed His creation in that there is a very strong correlation between the outer world and our body. He would say that the level of the world we live and conduct in is the same as the level of the body we (the soul) inhabit. For instance, we currently live in the gross body, so we are aware of the gross body as well the gross world around us in which we conduct, and can travel from one place to another. If, by learning the needed tact, we can go beyond this gross body of ours into our astral body, we will become aware of the astral world around and be able to see or move through the same. Then again, moving this way, if we could cross over still further into the causal, supra-causal and Kaivalya/ conscious body, we would move into and be aware of the causal, supra-causal and conscious planes or spheres of Creation respectively. And, finally, if we transcend even the Kaivalya Sharîr (Conscious or Chetan Body) we would be absolutely free of all the bodies, of all the prisons and merge with the God to be one with Him. This would be total liberation or freedom from the prison. Those who attain this state are called “Jivanmukta” (liberated in life).
  • 97. To move within or beyond the gross body one has to close both eyes and intently gaze, as taught by an accomplished Guru, in front in the dark void without letting the sight waver sideways or in any other direction. This is tantamount, says Maharshi Mehî Paramhans, to taking a firm position in the front and battling the restive & formidable foe that is, our own mind.
  • 98. It is common experience of anyone who tries to meditate that the mind or attention keeps frequently slipping from the target – be it the chanting of a mantra, visualising internally the form of desired deity or Guru, or trying to focus one’s gaze in the front. A meditator has to be aware of the fidgety character of the monkey – mind and keep trying to apply it back, again & again every time it strays, to the desired target – this act or process is known as Pratyâhâr. Thus, in the initial stages of meditation it has to be a constant & conscious struggle against the restiveness of the mind. But once the mind begins to get a taste of the bliss that lies within, this task of counselling the mind becomes progressively easier as the mind itself, having tasted the joy, becomes eager to sink into that experience again & again and becomes our fondest friend.
  • 99. This has reference to the Drishtii Yoga or the Yoga of Inner Light that consists in gazing intently in the inner dark void and trying to collect & focus the vision into a point. When that happens, the soul along with the mind pierces or enters through that Point-hole to move into the realm of resplendence. So, the Point Route here, in this verse, is a reference to the Sushumnâ/ Âjnâ Chakra/Third Eye/Single Eye/Tenth Door/Shiva Netra.
  • 100. Beyond the formed creation or the Domain of Light lie the Zones of Sound as suggested by Maharshi Mehî Paramhans in a schematic sketch of Inner Cosmology. Beyond Trikutî, up to where the domain of Light extends, there lie a number of zones of Sound namely, shûnya (Void or what Sufi mystics call as Lahût), Mahâ shûnya (Greater Void or Hahût of Sufis), Bhanwar Gufâ (Spiralling or Whirling Cave or Hûtal Hût of Sufis) and the highest or loftiest realm of Kaivalya/Chetan Mandal or Hiranyagarbha (Zone of Pure Consciousness or Hût of Sufis). The sounds of zones lower than that of the Pure Consciousness or Kaivalya Mandal are broadly categorised as “Âhat Shabd (‘Âhat’ meaning ‘Struck’ and ‘shabd’ meaning ‘Sound/Word’)” (that is, Words or Sounds produced due to striking/collision/rubbing of more than one things) or also as “Anhad Nâd” (Words or Sounds countless or limitless in variety – ‘Anhad’ meaning limitless or countless and ‘Nâd’ meaning word/sound/vibration), while the Sound of the Kaivalya Mandal (Plane of Pure Consciousness) is only one and unique and is called Anâhat Shabd/Nâd (Unstruck Name or Word or Sound as it directly emanates from the One Only God) or Sâr Shabd (Quintessential Sound). The Quintessential Unstruck Sound, more popularly known as Aum/ Om, is directly and ever-connected to God and, hence, is capable of leading unto Him and liberate completely.